BLACKSMITHING in the VIKING AGE, Part
One
by Bruce Blackistone (Atli) bruce_blackistone@nps.gov
Fri Mar 6 10:59:33 PST 1998
(*note: please click on the
thumbnailed pictures to view them full size)
First thing to keep in mind: Viking is a job
description, not a racial designation. You went viking,(verb) which meant that you were
engaging in a piratical raid, with or without political motive, at home or abroad. The
modern term Viking is a catchall for the pirates, mercenaries, freebooters, royal troops,
and suchlike concentrated in the Scandanavian area.
Second thing: No one had a patent on any of this
technology (not even a copyright). So where individual smiths may have had their secrets,
technology did get around. At the very least captives and enslaved craftsmen were
certainly freely traded, as were household goods, luxury items and weapons. We're dealing
with a fairly cosmopolitan society here, which stretched from the steppes of Russia, down
to Constantinople, across the Atlantic to North America, and with voyages and raids
touching Spain, Italy, the Levant and northern Africa. There was extensive settlement in
France, England, Ireland, Scotland, Man and the northern isles, Iceland and Greenland. We
are also talking about a period of 300 years, and a lot can happen in 300 years! This
series will mostly deal with tools and techniques used throughout Europe during this
period.
Third thing: Absence of evidence is not necessarily
evidence of absence. We will never know exactly what we are dealing with, so most of the
following is educated guess work. We're relying on a small base of tools and artifacts,
and extrapolating many of the techniques from this evidence. However, as many of you know
from your own experience, learning smithing alone and from a few books, your technique may
be the same as another smith's, or it may be completely different. Many of you have had
the experience of going to another forge and seeing that where most techniques are the
same (tools and medium do impose certain boundaries to technique, after all), some are
very different. The results may be the same, better or worse than your work in terms of
labor expended and quality of product. We can talk to each other and demonstrate, or post
neat stuff on-line, but it's very hard to quiz someone who has gone to dust 1,200 years
ago. Yet, when you see their tools and observe the results of their work, and investigate
it and try to duplicate it, you cannot fail to feel a kinship with these people. (In
truth, they probably are your kin. Conquering populations are always free with their
genetic material!)
TOOLS
and MATERIALS Anvils: Most anvils discovered from this period are surprisingly small. The
largest may have been up around 50 pounds, certainly no more than 100. Smaller ones were
down in the 10 to 20 pound range, and some, such as those from the Mastermyr find, were
only a pound or two. Shapes from actual finds or contemporary illustrations show that they
used plate anvils (like the ones that Jock suggests, only with a spike welded to the
bottom to hold it in place) block anvils, with spike, horned anvils such are used in
Europe today, and various bicks and blocks. The alternative, recounted in the sagas, is a
stone anvil, as heavy as a strong man could carry, which probably meant near 200 pounds. I
believe examples in Iceland are basalt. (There's a lot of basalt in volcanic Iceland!)
We've used a 20 pound block of polished granite at one of our reenactments for light
knives and projectile points (Light = ½" stock or less) with some degree of success.
As long as you didn't work the metal at black, or bounce the hammer off the face, it
seemed to hold up just fine. How it would hold up day after day is another question. I
would strongly suggest safety goggles if you're experimenting with a stone anvil, since
the chipping could be rather spectacular.
Forge: The common forge was a side draft using
double bellows, mounted side by side. We quickly discovered that it takes some talent and
a fair sense of timing to operate these bellows. You have to build up pressure gradually,
and must keep one bellows blowing while the other is on intake. If there is not pressure
in the pipe leading to the tuyere, the intake bellows has a tendency to suck the
superheated air and smaller live coals into itself, which makes a terrible noise and can
burn out the leather sides. One
possible solution is to replace the "Y" connection with a "flapper
box" which would interpose two flapper valves between the bellowsand the tuyere pipe.
We know this system was used on church organs (an innovation of the late Roman period)
during this time, but it's hard to tell which way the technology might have gone: from
church to forge or from forge to church? The forge itself was usually made of earth and
stone, with a pierced tuyere stone protecting the nozzle(s) of the bellows. The famous
tuyere stone with the face of Loki that you see in all the books is amazingly small, only
nine inches. We constructed a "portable" forge for our reenactments out of
1" thick slabs of slate. Although the slate was easy to drill the outlet hole
through, it spalled at a rapid rate once we got the heat up. After a couple of uses it
ended up as flagstones leading to my back deck, useful still when the swamp fills up.
   Hammers: The
hammers from the Mastermyr find ran a range of weights from 7 pounds 8 ounces to 14 and ¼
ounces. The majority are cross peen, with some stretching and planishing types. Darrell
Markewitz at Wareham Forge (see links) has forged some of these,
and states that, when working with real wrought iron, the ears and flanges just sort of
form that way.
Tongs: Unchanged for the last 1,200 years or more!
Other Tools: Hacksaw (useful for lock work), metal
shears, pritchels and punches, chisels, files, offsets, nail headers, draw plates,
shovels, slices, pokers and rakes. To wet down the charcoal a broom-like "swab"
was used to sprinkle water from the slack tub.
Wrought Iron: Bog iron (limonite) was the
predominant source in this period. It's virtue is that in an active bog (as opposed to a
"fossil" deposit) it renews itself every 15 years or so, since the iron is
precipitated out of the water by bacterial action. It would be processed into a bloom in
small smelters (sometimes only 2' wide and about 4' high) using vast quantities of
charcoal. Production was frequently in blooms of about 20 pounds or so. Towards the end of
this period, in the 10th and 11th centuries, the Catalan furnace from Spain became better
known, and production runs tended to be measured in 100 pound lumps or better. None of
these smelters reached melting temperatures (the Chinese were making cast iron B.C., but
that's another story) so the bloom was a pasty agglomeration of iron and slag, (which was
mostly silicon). This bloom would be heated and beaten into a consolidated lump, and then
eventually formed into bars and other useful and transportable forms.
Steel: Steel was either picked out during the bloom
stage (If you "cooked" the bloom for a longer time, portions of it would pick up
more carbon. There are later references to "steely iron".) or it was made by a
variation of the case hardening process. In case hardening a finished object, usually a
blade or cutting implement, is covered with a carbon source and encased in either an
air-tight coating, or put into an air-tight container. It is then "soaked" in a
furnace at a steady temperature, with the carbon penetration a function of the length of
time and control of heat. This method provides a thin steel coat "encasing" the
object. (The other possible derivation of the term is the fact that you use a covering or
container.) Instead of a finished product, bars or strips could be packed in charcoal and
held at temperature for days at a time, producing what would later be known as
"blister steel". The steel edges for the cutting tools in the Mastermyr find
tested to about 40 points of carbon. This is rather handy, since you could harden it by
quenching and not worry about tempering it, due to the general toughness of 40 point
steel. Samples from swords reveal carbon contents of 60 and 80 points.
Recycling: In a labor-rich, materials-poor society
you tend to recycle everything. Until it's recycled, you use it and mend it until it's
just about used up. One of my favorite blacksmith's finds was an Anglo-Saxon iron hoard.
It contained a variety of bits and pieces, ranging from an 11th century spear head to a
Roman(!) axe. Swords were beaten into plowshares and spears into pruning hooks, and , just
as often, plowshares were beaten into swords and , well, the Anglo-Saxons would use the
pruning hooks (or "bills" as they were known) to lop limbs off of people as well
as trees. Most medieval chainmail has literally gone down the drain since, once it became
obsolete for warfare. It was ideal for scrubbing out pots. Also, because of its high
surface area to volume ratio, it is very vulnerable to rust.
Ut!
ATLI
© Bruce Edward Blackistone, and the Longship
Company, Ltd. Please use with permission and/or for educational purposes only. Any misuse
may result in a visit from our Bos'n, Bork!
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